CHARLIE CHAPLIN'S "THE CIRCUS" (1928) NO FURTHER A MYSTERY

They in many cases are yearning romantics, using this variation: Buster appears a plausible mate, and the Tramp barely seems to have a libido, only idealized notions. If their comedies were made in a far more liberated time, it is achievable to assume Keaton in mattress with a woman, but disquieting to think about the Tramp like a sexual currently